Source (by request): X-Men Origin: Jean Grey (2008) #1
“I am the greatest swordsman that ever lived. Say, um, can I have some of that water?”
In the paint booth working on this mappa burl snare.
To the world you may be one person, but to one person you may be the world.
keep calm and carry on. (by br0-mantic)
Unemployed librarian employs herself by collecting donated books and setting up make-shift libraries around Brooklyn. Proving that you may need a...
6 posts tagged Making Light
“This is just to say we have taken some plums
we found in our mailbox.
You were hoping they would be
yours. Forgive us,
others seemed
sweeter
or colder
more bold
or whatever.”
Taken from Making Light: Slushkiller. (I remember when this was posted, but I can hardly believe I’ve been reading Making Light steadily since 2004.)
This is still one of the coolest rejection letters I’ve ever read. The context, here, is a post at a now-defunct site called RejectionCollection.com. Some poor soul submitted a poem to a literary magazine, received this rejection, and took it personally:
Miserable. Suicidal. Wondering “What the @#!$ is that all about?” What does produce have to do with my poems? And that “whatever” part. How specific. How to the point. I think I’m going to go torture myself now.
If you do not know the strange wonder of William Carlos Williams, why are you submitting things to a literary magazine?
And that isn’t like saying, “What? You don’t know [insert here the name of an obscure WWI-era New Orleans funeral parade drummer who once played on a porch with that guy who recorded some moderately famous song two decades later]? And you dare call yourself a jazz enthusiast!” It’s more like submitting a children’s manuscript and being offended when the rejection is Seussian.
“What the @#!$ is that all about? What do felines in headgear have to do with my stories? And that ‘Grinch’ part. How specific. How to the point. I think I’m going to go torture myself now.”
“The explosion, as we now know, created a nest of giant ants that terrorized Los Angeles, a giant octopus that terrorized San Francisco, and a giant lizard that destroyed most of metropolitan Tokyo. A giant tarantula had also been reported although, like the initial bomb blast, the government has denied its existence.”
More details on what the “Media Bloggers Association” really is. In case you missed my post yesterday, this is the group with which the Associated Press is supposedly meeting in order to come up with some sort of structure under which bloggers may quote AP articles.
Y’know, in case the law and doctorine of fair use isn’t good enough for you.
The problem with “Freedom of Press” is that it doesn’t make any sense to give a freedom to a particular vocation—and yet that appears to be what the Associated Press seems to think that freedom of press means. In fact, it could be better translated as “freedom of non-libelous, non-slanderous information sharing.” If a member of the traditional press publishes an article, that member reserves some sense of copyright over the article as a whole. It shouldn’t be reprinted as a whole or even in part without attribution. But as soon as the AP says that people have to pay for a “quote license,” they’re just dancing all over the law’s grave. It mocks academic study. Hell, it mocks journalism.
AP to meet with blogging group to form guidelines: Financial News - Yahoo! Finance
That’s a nice article about how the AP is doing us all the favor of meeting with some sort of bloggers’ group “to help form guidelines under which AP news stories could be quoted online.” It features a quote from Wendy Seltzer, a legal scholar and a fellow at the Berkman Center for Internet and Society at Harvard University, noting that if the guidelines help the AP to formulate its take-down complaints to quoting bloggers so that the complaints more closely match the law, then the process might be a good thing. If, on the other hand, the AP says that bloggers can buy licenses to quote 5-25 words of an article—that is, an amount which should decidedly fall under the auspices of “fair use” if propery attributed, etc., as defined by the law—then “that wouldn’t be helpful,” Seltzer says.
That’s very diplomatic of Ms. Seltzer, but I’m not buying diplomacy here. If a group like the AP—even though it may be a non-profit cooperative—tries to bully people into paying for something that is legally fair for them to use, then the issue goes further than simply invoking the law and saying “Ha ha! I don’t have to pay for this after all!” There needs to be some sort of restriction against the AP’s being able to charge people, essentially, for the equivalent of a high schooler’s elevator pass—you can pay for it, but it’s not going to get you anywhere.
Further comment may be found by Patrick Nielsen Hayden at Making Light here and here, as well as by Cory Doctorow at Boing Boing here.
Doctorow makes the point, as well, that the “fine print” says the AP can revoke your license if it doesn’t like the way in which you use the quote.
As a former newspaper journalist, I’m just imagining what would’ve happened if the people I had to interview charged us, the press, every time we wanted to quote them. And if they could take away our right to quote others when they didn’t like what we printed? Crumbs!
My final thought, at least for the moment, is that the traditional press would be up in arms if the major bloggers banded together as a group and issued quote licenses. Yes, there was a day when anyone could write whatever he wanted on the Internet, but the passage of time has brought about a series of checks and balances. I think we’re just as likely to find truth in most blogs as we are to find it in most traditional news these days. This is probably not the case if you’re reading the MySpace page of someone named G0551pG1rL, for instance, but if you read a story online that sounds unbelievable, check the comments. As Launcelot says, truth will out.
I hope that this turns out to be merely an interesting story, and not a scary one.
Edited to add: John Scalzi’s clever retort
I’m pretty good at trimming back comments in which a commenter has quoted too much of an article, or song lyrics, or whatever. Because I’m pretty strongly of the belief that fair use shouldn’t be abused, and that educating people on what is fair use is a good way to keep it strong and useful in our society.
The post at this link discusses a Guardian article (you can get there from here) in which Bruce Schneier ponders the post-9/11 fear of photography (and therefore photogs). None of the major terrorist activities or threats over the last decade have involved photography—though it makes for a useful plot point in films. Is our storytelling nature getting in the way of reality (and sanity)?
In the comments, B. Durbin mentions the relationship of this story to mall security’s inexplicable fear of all things photo/video.
My mother-in-law was asked by an apparent security guard (I believe she said he was wearing a suit, and so may have been guarding something/someone other than the hotel itself) to stop taking photos in the lobby of a hotel at which she was staying last Christmas. She asked why she couldn’t take photos there, and he said she’d have to ask about it at the registration desk.
When she asked about it at the registration desk, the clerk didn’t have a clue what she was talking about and “gave her permission” to do whatever she wanted.
Kudos to the clerk. Brickbats to the “guard.”
Although … it does kind of make me want to put on a suit and an earpiece and see what liberties I can get people to give up in public places, simply because of how I’m dressed.
Last word to B. Durbin:
I’m personally of the opinion that at least half of the OH MY GOD YOU CAN’T TAKE PHOTOGRAPHS is a simple power trip, security forces for whatever group deciding they can Stop the Horrible Photographers …
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